Steer wrestling, a practice credited to legendary cowboy and rodeo star Bill Pickett, usually involves leaping onto a steer from the back of a specially trained horse. At the Madison
Put ramekins on a baking sheet. Bake for 25-35 minutes, until puffed and golden. Remove from oven, and let stand for 5 minutes. With a flexible spatula, remove strata to
Set in 1963, The Night Train tells the story of two teenage boys, Dwayne Hallston and Larry Lime, who strike up a casual, interracial friendship. In Clyde Edgerton’s fictional small
Set in 1963, The Night Train tells the story of two teenage boys, Dwayne Hallston and Larry Lime, who strike up a casual, interracial friendship. In Clyde Edgerton’s fictional small
Set in 1963, The Night Train tells the story of two teenage boys, Dwayne Hallston and Larry Lime, who strike up a casual, interracial friendship. In Clyde Edgerton’s fictional small
Set in 1963, The Night Train tells the story of two teenage boys, Dwayne Hallston and Larry Lime, who strike up a casual, interracial friendship. In Clyde Edgerton’s fictional small town of Starke, North Carolina, workplace relationships among lower-class blacks and whites are part of the everyday landscape, but they retreat to homes on opposite sides of the tracks at day’s end: whites to east Starke, blacks to west Starke. A friendship that goes beyond strictly defined boundaries of geography and social propriety is unusual, and when it comes to light late in the book — via a comical fender bender at a drive-in theater — some see it as unacceptable and even scandalous.
There’s an even bigger shock awaiting the townsfolk when Hallston introduces black music — specifically the charismatic soul of James Brown — into the repertoire of his band the Amazing Rumblers. He is this novel’s hero for moving beyond prejudice with a few small but significant steps illustrative of changing times, even in places like Starke. The Night Train also shows how some irresistibly funky music broke down racial barriers, especially among the young. Lime helps his white friend understand and negotiate these new rhythms while he learns the ropes as a jazz and soul musician from an older mentor nicknamed The Bleeder.
Edgerton’s book moseys at a carefree pace, much like the lives of his characters during simpler times. There’s a wonderful description of teenagers hanging out in a parking lot, trying to guess the makes, models, and years of cars passing by. In another scene, Hallston and Lime head to a pond to go noodling or trapping catfish in hollow logs. They don’t catch anything, but it’s the fact they went out together that matters.
His characters aren’t cardboard racists or visionary heroes. The book doesn’t turn on dramatic, pulse-quickening events. With its even-tempered cast, The Night Train illuminates that year when the generational cycle of racism began to slowly break down to the soulful beat of a new kind of music.
Little, Brown and Company. 2011, 215 pages, hardback, $23.99.
For more information on Clyde Edgerton, read Literary Harmony, which appeared originally with this book review.
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This tiny city block in downtown Greensboro once had a gigantic reputation. Not so much for its charbroiled beef patties — though they, too, were plentiful — but for its colorful characters and their wild shenanigans.
In the 1950s, as Americans hit freshly paved roads in shiny new cars during the postwar boom, a new kind of restaurant took shape: the drive-in. From those first thin patties to the elaborate gourmet hamburgers of today, North Carolina has spent the past 80 years making burger history.