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Margaret Bauer stood before a group of North Carolina writers in The Chelsea restaurant in New Bern last summer and posed a question. How many of you, she asked, are

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Margaret Bauer stood before a group of North Carolina writers in The Chelsea restaurant in New Bern last summer and posed a question. How many of you, she asked, are

Spreading the Secret

Margaret Bauer stood before a group of North Carolina writers in The Chelsea restaurant in New Bern last summer and posed a question.

How many of you, she asked, are subscribers to the North Carolina Literary Review (NCLR)?

Bauer surveyed the room as about a third of the 80 or so attendees raised their hands.

“Shame on the rest of you,” she said. “If you don’t subscribe, who do you think will?”

The question hinted at a conundrum facing NCLR, one of the South’s most unusual and respected annual literary publications: Why, outside of small circles of literati, is it largely unknown?

NCLR presents the work of prominent North Carolina writers and poets in a bold design. But Bauer, NCLR’s dogged editor, remains frustrated that she is unable to sell even the 1,000 copies printed annually.

“It is a shame,” she says. “We do what we can, but that’s the biggest disappointment because when people see it they say, ‘Wow!’ ”

Not a stuffy journal

NCLR was founded at East Carolina University in 1992 as a companion publication to the North Carolina Historical Review. Every year, Bauer and her team of volunteer editors accept submissions from writers with ties to North Carolina.

The works include fiction, creative nonfiction, poetry, interviews, and scholarly reviews of literature, all related to a theme. In recent years, themes like drama; humor; environmental writing; and, in 2012, literature into film have been explored with a clear North Carolina slant.

But this isn’t your grandfather’s academic journal. Photos and illustrations complement the pieces, giving NCLR the modern feel of a magazine rather than a traditional, stuffy scholarly review.

“That mix of beautiful art and text just comes to life in this journal, and you really can’t find another example, I think, in the literary world today that celebrates in this way,” says Dana Ezzell Gay, a Meredith College graphic-design professor and a freelance art director for the review.

When NCLR is published each summer, the works of established North Carolina writers and poets, such as Jill McCorkle, Cathy Smith Bowers, Charles Frazier, and Clyde Edgerton, are presented alongside those of the state’s aspiring stars. Bauer includes each edition’s finalists and winning entries in the Doris Betts Fiction Prize and James Applewhite Poetry Prize competitions.

Bland Simpson, a well-known author, musician, and UNC professor, praises NCLR’s unique look and compares it to a mass reading of the state’s top writers.

“It’s got an extraordinary graphic component to it,” Simpson says. “It’s a very witty piece of work. … There’s only one thing like it. It’s had a great, great deal of attention and work put into it.”

Getting it out there

Although Bauer frequently organizes readings at independent bookstores across the state to promote NCLR, she still struggles to popularize the brand after 21 years of publication with no marketing budget. She has never sold out despite the $15 cover price and the $25 cost of a two-year subscription.

Kathryn Stripling Byer, a former North Carolina poet laureate and a frequent contributor to NCLR, agrees that the review’s appeal could be broader.

“I think any number of people, aside from the literati, would be delighted to subscribe to it and have it come each year and just sit down and enjoy looking through it and reading it,” Byer says. “It’s a well-kept secret, but we don’t want it so well kept anymore. We want it out there.”

Undeterred, Bauer carries on. That day at The Chelsea, the show-of-hands strategy worked. She sold two dozen subscriptions, the most she’d ever sold in one place.

Buy it, read it :

Asheville: Malaprop’s Bookstore, Black Mountain College Museum & Arts Center, Thomas Wolfe Memorial
Black Mountain: Black Mountain Books
Boone: Appalachian State University’s Scholar’s Bookshop
Brevard: Highland Books
Bryson City: Elizabeth Ellison Watercolors
Buxton: Buxton Village Books
Chapel Hill: Bull’s Head Bookshop at UNC, Flyleaf Books
Charlotte: Park Road Books
Durham: Regulator Bookshop
Forest City: Fireside Books and Gifts
Fountain: R.A. Fountain
Greenville: ECU’s Dowdy Student Stores, City Art Gallery, Emerge Gallery, University Book Exchange
Manteo: Manteo Booksellers
New Bern: Tryon Palace Museum Shop
Ocracoke: Books to Be Red, Java Books
Pittsboro: McIntyre’s Fine Books and Bookends
Raleigh: Quail Ridge Books & Music, North Carolina Museum of History’s Museum Shop
Sylva: City Lights Bookstore

North Carolina Literary Review
East Carolina University
2132 Bate Building
Greenville, N.C. 27858
(252) 328-1537

This story was published on Dec 03, 2012

David Hall

Hall has won 28 individual awards from the North Carolina Press Association since 2000 and was recognized nationally for feature writing by the Football Writers Association of America in 2011.