If you’re the only child of an engineer father and a financial analyst mother, there’s a good chance that you and Heather Gordon might agree on something: “I think numbers are beautiful,” she says. A lover of algorithms and an “analog junkie,” Gordon strives to tell stories about personal relationships using geometry, numbers, and code — she transformed a portion of Crime and Punishment into the computer code ASCII — and asymmetrical origami shapes, some large enough to walk through. Never mind the math. Just appreciate the genius.
Heather Gordon translates numbers into oil paintings like Last Woman Standing (above), a data portrait of her mother, which maps the distances between all of the places she’s lived.
Memories of spuds are firmly rooted in one chef’s mind, just like the Watauga County potatoes she once unearthed.
The poignant voices of gospel music seem to rise from the soil of eastern North Carolina. The genre’s lineage is as rooted to the land as the crops growing in its fields.
In winter, when the weather is just right, water turns ethereally symphonic — if you stop to listen.
Far away from the summer buzz, Corolla quietens into a sleepy, seaside village during the winter. Here, on this strip of sand, visitors find themselves immersed in the northernmost reaches of our state’s coast, where the coldest season is a chance to celebrate solitude.
